Watch this space for details of a future volume on Coil we are very excited about.
Philippe Grandrieux is one of cinema’s only living true radicals and feted as one of the most innovative and important film makers of his generation. His consistently controversial work remains, however, relatively unknown outside of the international art film festival circuit. In this volume, the first book-length study of the work of Grandrieux in any language, Greg Hainge provides an overview and critical analysis of Grandrieux’s entire career during which he has produced works for television, video installations, photography, performance pieces, documentary films, short films and prize-winning feature films. As well as providing an overview, the book argues that a critical appraisal of his work necessarily leads us to problematize many of the critical orthodoxies that have been formed in recent times, to reject the concept of a haptic cinema and to supplant this instead with the idea of a sonic cinema.
Caleb Kelly’s Gallery Sound argues for the importance of sound within the architecture of the art space. From video art to floor talks, from performance to cash registers, sound fills the exhibition environment. Yet sound is a phenomenon that inevitably confounds boundaries, forever bleeding through walls and encroaching into spaces not its own. This book will listen to the deliberate inclusion of sound within the sound arts, as well as the incidental sounds that while generally unwanted have been mined for creative outputs.